Artistic Representations of Death

This is Dan, the dramaturg for Woman and Scarecrow.

Throughout the play Carr continually mentions different pieces of death-related art, specifically Caravaggio's "Death of the Virgin". About this painting, Woman says, "Oh the grief, terrible to look on... frightening, because the miracle is over...Still there's something sacred going on. Not with her. She's just another of those invisible women past their prime. But the mourners are appalling."

Much of my research was devoted to exploring death-related pieces of art- visual art, poetry, music. On the first day of rehearsal, I framed my dramaturgical presentation with the fact that this play is Carr artistic representation of death, by showing one of my favorite dance pieces: Martha Graham's Night Journey. This classic of Modern Dance is Graham's exploration of the moment when Jocasta dies in the Oedipus Rex myth.
If you've never seen it, check it out:

http://www.youtube.com/watch?v=fFNsKeMbW20

In Vasey 206, the bulletin board is covered with a collage of death related pieces of visual art and poetry that I've asked the actors to build upon, integrating their own text and images about death. This blog is a great way to extend this discussion. Does anyone else want to mention any other pieces of art that has inspired or changed them?

October 19, 2011: WHAT A DAY!

Jessica/Scarecrow here...

Yesterday I had an incredible opportunity to meet with Patrick Mason from the Abbey Theatre in Ireland. He spent two hours with the cast of Woman and Scarecrow, our director, Father David, and our stage manager, Allie, about character, language, and motivation. We all had a chance to work on a scene with him and hear his insight on diving further into the situation and the text.

He helped me to realize that the text of our particular play is its strongest asset, and that the beautiful language in Woman and Scarecrow can help carry it through. My character is out of the ordinary, so this helped me to get a new perspective on her. He told us, in reference to our audience, that we should strive to, "Grab them tightly, and let them go lightly."

What is most amazing about the entire experience I'm afraid I'm unable to truly articulate. He somehow got right to the core of me and floored me. When he left the room I felt as though I was coming out of a trance; it was one of those times where you know that something astounding had just happened. A heartfelt thank you goes out to everyone who made it possible.

Jessica

"Unboundable" Inspiration

Hey All!
Allie here, your lovely Stage Manager!
So I am actually blogging right now from one of our rehearsals! The cast and Father David are deep in conversation about language and motivation. They are reflecting on our lovely and AMAZING morning meeting with Tony Award Winning Director, Patrick Mason!
To witness the conversation that happened this morning and the conversation that is happening now is an honor; today is a day that I will never forget!!
The cast and I were deeply moved by the passion and intellect that Patrick Mason showed to us. At one time or another, some of us were even moved to tears. The inspiration that Patrick Mason gave us is “Boundless” or “Unboundable” as some might say! ;)
Okay, have to get back to my stage management duties!
Till later, Break Legs!!
~Allie

We are BACK in action.

After a brief hiatus, our blog is BACK. There are lots of exciting things happening around here: a new chair, a new season, a new partnership with The Abbey Theatre in Ireland, and a new certificate program in Nonprofit Management.

For more on all of the above, be sure to visit us at www.villanovatheatre.org and www.facebook.com/villanovatheatre!

Also, stay tuned for some behind-the-scenes blog entries by the cast & crew of WOMAN AND SCARECROW by Marina Carr, on stage Nov. 8 - 20, 2011.

Woman and Scarecrow

Hello.

We are now four rehearsals into Villanova's second production, Woman and Scarecrow by Marina Carr. The play is a powerful journey through the last moments of a woman's life as she prepares to die. This week the cast,crew and our dramaturg Dan Ciba, spent many fruitful hours doing script analysis. We also began to build the shape of the production with some simple blocking. And yet, this play exist on an existential level that propels the actor beyond words and into the physical in order fully explore meaning. So this weekend we will take the blocking and with our work on Given Circumstances together to explore through body work the shapes and interactions that objectives and obstacles have without words. My plan is to use digital recording in the rehearsal process so the actors can use the video as a text by which to make choices around their bodies in motion. Ultimately I would like the play to have moments of interaction and physical expression that function as exposition for relationships beyond language. Stay tuned to see how this adventure works out!

Fr. David

Congratulations, Mark Costello!

The Villanova University Theatre Department is proud to announce that second-year M.A. student Mark Costello has won first place in the 2010 Region II Kennedy Center American College Theater Festival (KCACTF) O'Neill Critics Institute! He has been invited to attend the KCACTF National in April.

The Kennedy Center American College Theater Festival is a national theatre program dedicated to the improvement of collegiate theatre in the United States. Focused on the celebration of diverse and exciting theatre, KCACTF involves students from more than 600 colleges and universities throughout the United States. Region II includes schools in Delaware, the District of Columbia, Maryland, New Jersey, New York, and Pennsylvania.

Read more about this year's Regional Festival at Wendy Rosenfield's blog. Wendy is a freelance arts and lifestyle features writer and theater critic for the Philadelphia Inquirer.

Congratulations, Mark! You've made us proud!

Introducting (drum roll)... Chris Serpentine!

Over the next few weeks, Villanova Theatre will be posting blogs from some of our wildly talented, incredibly intelligent, super-charming students. Their insights will shed some light on the production process, the academic load, and the all-around experience here in the Villanova University Theatre Department. Our first contributor is second-year student Chris Serpentine, who has been see this season as Jerry in The Zoo Story (seen standing at left with Will Windsor Erwin, who played Peter) and Oliver in As You Like It. Here goes!
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'Sup all,

So none of you know me, which is totally cool -- we'll become fast friends I'm sure. This blog, I assume, is a way into the awesome world of Villanova Grad Theatre. And, I guess the way this lays out, that makes me a sort of tour guide. Sweet. So strap down, and let's take this journey together.

I'm Chris Serpentine, and I'm a second-year here at 'Nova.

(What?! You're a second year?! But that's a two-year program! Does that mean we're only going to have, like, one more semester to read your amazing insights?)

Calm down, there, bucko. You're in luck. I will be here one more year because I was only part-time last year, and that's really the best part about this whole program - they're very flexible. There are a ton of students here who work full-time and attend classes part-time to better suit their schedules. So, really, this program isn't the life-sucking abyss that some programs can become. In fact, if you're anything like me, you'll find that this place is a second home, and rapidly involve yourself in all complete facets (like, say, a blog).

I started doing theatre late - in college at La Salle University. It kind of happened by accident. I made friends with this delightfully large-built, raspy-voiced guy (like Harvey Fierstein...It was Harvey Fierstein...I made friends with Harvey Fierstein). He was master carpenter on some weird show I had never heard of at the time (turns out it was The Laramie Project), and he essentially dragged me into theatre. I was involved for four years with The Masque of La Salle University. When I graduated, I started bartending full-time. Then one day I was sitting on my couch eating Frosted Mini Wheats (which, little known fact, is a part of a balanced breakfast) and watching Maury. It was a fat baby episode.

Mid-way through Maury I realized my life was missing something. Once I came to the realization it wasn't a fat baby of my own, I figured the best way to fill that void would be applying to Grad school. I had heard a lot of really great things about 'Nova, and it was close (I resided in Havertown at the time, before moving to Devon, and now Brookhaven). So on a complete whim, I sent an application to 'Nova. And they accepted me! I dove in with as much force as I could, and I haven't looked back since.

This place really does become a second home. I realized that at the end of last year, when once again I was dragged into a new theater - this time by professor Valerie Joyce. She was directing Cabaret, and told me I was in it. I still thank her silently in my head for doing that, because I didn't know what I was missing by not being able to fully participate in the program. Shortly after that, I quit my bartending job, and pledged myself to 'Nova full time. And I have had incredible luck here.

I had the amazing opportunity to play Jerry in Edward Albee's The Zoo Story, directed by Joanna Rotte; Oliver in Shakespeare's As You Like It, directed by Harriet Power; and I am currently playing Jason in Euripides' Medea, directed by Shawn Kairschner. I also work here in the Prop Shop, which is another great opportunity - you can work where you go to school; it makes life so much easier.

The program also offers, in addition to its mandatory courses, a ton of electives. So far, I'd have to say my favorite class here was Characterization. It really delved into what it is to become a different character, and the many different techniques available to an actor to do so. The number of characters I got to encounter in that class alone was worth a lifetime of acting. But it's tough to choose a favorite class, because, honestly, the people who surround you inside the classroom are the best part.

So now we're in present day. I am working incredibly hard, but I'm loving every second of it. Doors are continually opening on every side of me, and it's really difficult to choose which one to go through. Just this semester I was cast in Medea, which is a huge opportunity. I am given the humble task to portray Jason, who some could describe as "a fellow who wants to leave his wife and marry another woman for political gain." It's difficult to have to portray a character who everyone else on stage is against. No one really agrees with what Jason has done, or how he has handled it. So the only person I have to believe is myself. It's interesting to have these objectives - to convince, to win, to persuade, to conjure - knowing that my efforts are probably going to fail. Jason is a man fighting for his family. It's cliched, but the moment I begin to see him in a negative way as an actor is the moment my performance will wane.

So, that's me. I'm a twenty-four year old Grad student, with hopes to act until there's not breath in me anymore. I'll probably teach somewhere in there. I definitely want children to pass on my insanity. I want to, one day, get an M.F.A. But for the time being, I'm trying to compose some normalcy in an otherwise hectic and spontaneous lifestyle.

Until next.

-CS